Use it as the first Stalking work. Its low central figure creates a grounded threshold before the sequence moves into pursuit, flight, and procession.
N° 2
35 x 50 cm
A moonlit clearing holds snow-laden firs and small pale animals moving through a dark blue field, turning the scene into a compact nocturnal fable.
Place it after the resting fawn so the Stalking group widens from stillness into movement. It benefits from a horizontal sightline and a clean interval around the trees.
N° 3
35 x 50 cm
A warm animal figure sits among snow-heavy firs while darker forms gather at the edge of the frozen clearing.
Hang it after The Stalking no. 2 so the sequence turns from open encounter toward suspense.
N° 4
35 x 50 cm
A winged figure cuts through the blue clearing between snow-laden firs, giving the Stalking group a sudden airborne, mythic register.
Use it as the active hinge in the Stalking wall, with enough sightline for the winged movement to read from across the room.
N° 5
35 x 50 cm
A moon, thin winter trees, a white swan-like figure, and a small running animal create a blue nocturne where stillness and pursuit share the same snowy ground.
Give it distance so the moon, trunks, and horizontal movement can resolve as one staged passage before the final Stalking procession.
N° 6
35 x 50 cm
A band of dark animal forms presses across the snow beneath rounded blue firs, closing the Stalking sequence with silhouette, procession, and cold pressure.
Use it as the closing Stalking note. It gives the group weight and leaves the sequence on its strongest dark horizontal.
